The Near-Sighted Monkey

One day Professor Old Skull passed out index cards to The Unthinkable Mind Class and asked them to fold them in half and write a made-up title of a book on the top of each one. Then she passed out photocopies of pictures the class had drawn earlier in the quarter using an exercise from “Cartooning: Philosophy and Practice” by Ivan Brunetti

Professor Old Skull asked the class to cut the pictures apart up and paste one on each of index card as if it were the bookcover illustration. Then she gathered the cards, mixed them up and passed them out again and asked students to turn the ‘nano book’ over and write a genre type on the back without looking at the title.

Then she mixed them up again, passed them out one last time, and gave students less than two minutes to write the first line of the book based on title, genre, and cover illustration.

From The Unthinkable Mind Nano Book Project, University of Wisconsin-Madison, taught by Lynda Barry

Dear Unthinkable Mind Class,

Here is a timing video to help with the non-photo blue part of your homework assignment. We’ll spend two minutes on each panel.

This video can help you get the first part of your four panel drawings done quickly. You’ll need your non-photo blue pencil, a piece of copier paper folded into quarters with the borders for each panel drawn in blue pencil, and the story you are illustrating.

You can read the story over before you start the video or if you’d rather, when I start to go into the relaxation part of this video, you can hit pause and read the story you’re illustrating and then hit play and continue.

Then use the inking process to help you listen with open awareness to whatever is going on around you.

Best to you,

Professor Old Skull

Dear Unthinkable Mind class
Here is Sam Szabo’s work. It has that exuberance I talk about in class. That aliveness that is impossible to fake. The kind of aliveness that is showing up in your drawings like crazy right now.
I am so happy with the work you’re doing.
Professor Old Skull
See more of Sam Szabo’s work here: brainbooger:

Dear Unthinkable Mind class

Here is Sam Szabo’s work. It has that exuberance I talk about in class. That aliveness that is impossible to fake. The kind of aliveness that is showing up in your drawings like crazy right now.

I am so happy with the work you’re doing.

Professor Old Skull

See more of Sam Szabo’s work here: brainbooger:

If William Blake were alive and producing his work in 2013, how would we categorize it? Would we think of it as alt comics?  A graphic novel? Why?

What did they call it in his day?

Extra Credit Question: What did they call ‘photographic memory’ before photography?

Comic strip by Lynda Barry

Above: a page from The Freddie Stories, from Drawn & Quarterly, the publisher Lynda Barry says saved her career. “The Freddie Stories” comes out this week.

LISTEN TO A GREAT DOCUMENTARY ABOUT DRAWN & QUARTERLY 

In the early 1920’s, T. S. Eliot wrote that “Good literature is produced by a few queer people in odd corners.” 

Many years later, in the early 1990’s, one of those odd corners popped up in Montreal, in a second story flat on the corner of St.-Urbain and Bernard, where the rent was cheap and the neighbours were cool. 

Night after night, Chris Oliveros sat at his kitchen table with scissors, glue pots and pencils. And those ‘few queer people?’Cartoonists.Chris Oliveros wanted the comic strips that he and friends drew to find a larger audience. 

On that kitchen table, he put together the first issues of a little magazine he called ‘Drawn and Quarterly.’Now D and Q is one of hottest publishers of graphic novels on the planet. Some odd corner. 

While the future of the book is in question, and independent Canadian publishers struggle just to stay afloat, Drawn and Quarterly is thriving.

The documentary will be on CBC radio one across Canada on The Sunday Edition -and streamed at http://www.cbc.ca   And available as well at  http://www.cbc.ca/thesundayedition  and on Sirius Sat Radio 159
OR YOU CAN LISTEN TO IT NOW ….
Above: a page from The Freddie Stories, from Drawn & Quarterly, the publisher Lynda Barry says saved her career. “The Freddie Stories” comes out this week.

LISTEN TO A GREAT DOCUMENTARY ABOUT DRAWN & QUARTERLY
In the early 1920’s, T. S. Eliot wrote that “Good literature is produced by a few queer people in odd corners.”

Many years later, in the early 1990’s, one of those odd corners popped up in Montreal, in a second story flat on the corner of St.-Urbain and Bernard, where the rent was cheap and the neighbours were cool.

Night after night, Chris Oliveros sat at his kitchen table with scissors, glue pots and pencils. And those ‘few queer people?’Cartoonists.Chris Oliveros wanted the comic strips that he and friends drew to find a larger audience.

On that kitchen table, he put together the first issues of a little magazine he called ‘Drawn and Quarterly.’Now D and Q is one of hottest publishers of graphic novels on the planet. Some odd corner.

While the future of the book is in question, and independent Canadian publishers struggle just to stay afloat, Drawn and Quarterly is thriving.
The documentary will be on CBC radio one across Canada on The Sunday Edition -and streamed at http://www.cbc.ca   And available as well at  http://www.cbc.ca/thesundayedition  and on Sirius Sat Radio 159

OR YOU CAN LISTEN TO IT NOW ….

Above: “Beatrice Addressing Dante” circa 1824 by William Blake; painter, poet, print-maker; London, England 

Below: “And Everything is Back to Normal” 2012 by Andy,  2nd Grader, Franklin Elementary school; Madison, Wisconsin

SPECIAL SPRING 2013 COURSE ANNOUNCEMENT FOR STUDENTS CURRENTLY ENROLLED AT THE UNIVERSITY OF WISCONSIN-MADISON

The Unthinkable Mind

Instructor: Lynda Barry

Day: Mon/Weds

Time: 1:20 -3:50

Location: Humanities Building

Limit: 20 Students

Credits 3-4

Cross-listed  as Art 469/ English 307 /Science (Course number to come)

A writing and picture-making class with focus on the basic physical structure of the brain with emphasis on hemispheric differences and a particular sort of insight and creative concentration that seems to come about when we are using our hands (-the original digital devices) —to help us figure out a problem.

No artistic talent is required to be part of this class, but students must have an active interest in learning about the physical structure of the brain, how memory, metaphor, pictures and stories work together, the relationship between our hands and thinking, and what the biological function of the thing we call ‘the arts’ may be.

This is a rigorous class with a substantial workload. Along with twice weekly writing, picture making, and memorization assignments, students will be required to complete a handmade book using visual and written elements by the end of the semester.

Although this class is open to both graduate and undergraduate students from all academic disciplines, priority will be given to Art, Science, and English students currently enrolled at the University of Wisconsin.

Applications for the class will be accepted either in person or by mail until 3:00 PM THURSDAY DECEMBER 5th. No electronic submissions will be accepted, but students will receive an email confirmation that their application has been received. The class list will be announced on Wednesday, December 12th.

The Unthinkable Mind 2013 c/o UW-Madison Art Department
6241 Humanities Building
455 North Park Street
Madison, WI  53706

All applications must be formatted exactly as follows to be considered:  typed, double-spaced, 12 point Times New Roman with standard margins, black ink on regular white paper, no longer than 4 single-sided pages, stapled in the upper left hand corner.

Prospective students should answer each of the questions below without putting too much thought into it. The first answers that come to mind are the ones I’m most interested in.

Questions for Students Applying to “The Unthinkable Mind”

 1. Full Name:

 2. Student ID Number (10 digits,  no dashes or spaces)

 3. Email address: (please use your wisc.edu email address)

 4. Degree program or area of study and year  (eg BFA, Dance, Junior)

 5. This course is offered through different departments. Select the department through which you would like to take the course.

 6. Art 469 —-English/Creative writing 307 —— Science (Course number to come)

 7. What classes did you take during Fall Semester of 2012? Why?

 8. What classes will you be taking  Spring Semester of 2013? Why?

 9. What were some of the books you read as a kid?

10. What were some of the games you played?

11. What were some of your favorite fictional characters when you were growing up. (These can be any kind of fictional characters at all, from literary to cartoon to video game characters.)

 12. Who was your favorite elementary school teacher? Why?

 13. Who was your least favorite elementary school teacher? Why?

 14. Was there an object or thing disturbed you as a kid? Why?

 15. Was there an object or thing that did the opposite for you? Why?

 16. Was there something you made by hand as a kid that frustrated you?

 17. Was there something you made by hand as a kid that made you happy?

 19. What was your least favorite kind of fictional creature?

 20. What would be your least favorite kind of fictional environment?

 21. How do you feel about writing by hand?

Jive!!!!!
A comic strip by Lynda Barry

Jive!!!!!

A comic strip by Lynda Barry

Comic strip by Lynda Barry
Click on image for larger, more readable version.

Comic strip by Lynda Barry

Click on image for larger, more readable version.

Just one week left of Camp Lulu before school starts.
Comic strip by Lynda Barry
Click on image for larger, more readable version.

Just one week left of Camp Lulu before school starts.

Comic strip by Lynda Barry

Click on image for larger, more readable version.

Can your heart STAND IT?
Cartoonists! So Happy! Together! AT! The University of Chicago! In June! Of 2012
(Please note: This is as happy as this many cartoonists in one place can ever possibly look.)
Back row (L-R): Gary Panter, Aline Kominsky-Crumb, Phoebe Gloeckner, Ivan Brunetti, Seth, Dan Clowes, Alison Bechtel, Gary Lieb, Justin Green, Chris Ware, Robert Crumb, Ben Katchor. Front row: Joe Sacco, Françoise Mouly, Art Spiegelman, Hilary Chute, Lynda Barry, Carol Tyler, Charles Burns. (Photo by Jason Smith)
MORE…AT THE SOURCE!!!

Can your heart STAND IT?

Cartoonists! So Happy! Together! AT! The University of Chicago! In June! Of 2012

(Please note: This is as happy as this many cartoonists in one place can ever possibly look.)

Back row (L-R): Gary Panter, Aline Kominsky-Crumb, Phoebe Gloeckner, Ivan Brunetti, Seth, Dan Clowes, Alison Bechtel, Gary Lieb, Justin Green, Chris Ware, Robert Crumb, Ben Katchor. Front row: Joe Sacco, Françoise Mouly, Art Spiegelman, Hilary Chute, Lynda Barry, Carol Tyler, Charles Burns. (Photo by Jason Smith)

MORE…AT THE SOURCE!!!

Comic strip by Lynda Barry 
Click on the image for a larger more readable version.

Comic strip by Lynda Barry

Click on the image for a larger more readable version.
Arna and Marlys on the back porch
by Lynda Barry

Arna and Marlys on the back porch

by Lynda Barry

Comic strip by Lynda Barry

Comic strip by Lynda Barry

Extra Credit: Fish! By Lynda Barry

Extra Credit: Fish! By Lynda Barry